Children of Men

Children of Men is a 2006 American-British dystopian science fiction film directed by Alfonso Cuarón and loosely adapted from P. D. James's 1992 novel The Children of Men. It stars Clive Owen, Julianne Moore, Michael Caine, Pam Ferris, Claire-Hope Ashitey and Chiwetel Ejiofor.
Set in the United Kingdom of 2027, the film explores a grim world in which two decades of global human infertility have left humanity with less than a century to survive. Societal collapse, terrorism, and environmental destruction accompany the impending extinction. Meanwhile, the United Kingdom—perhaps the last functioning government—persecutes a seemingly endless wave of illegal immigrant refugees seeking sanctuary. In the midst of this chaos, Theo Faron (Clive Owen) must find safe transit for Kee (Claire-Hope Ashitey), a pregnant African "fugee".

Tropic Thunder

Tropic Thunder is a 2008 American action satire comedy film directed and produced by Ben Stiller. The film stars Stiller, Jack Black, and Robert Downey, Jr. as a group of prima donna actors making a Vietnam War film. When their frustrated writer and director decide to drop them in the middle of a jungle, the actors are forced to portray their roles without the comforts of a film set. Written by Stiller, Justin Theroux, and Etan Cohen, the film was produced by DreamWorks and Red Hour Films and distributed by Paramount Pictures.

Horton Hears a Who!

Horton Hears a Who!, also known as Dr. Seuss' Horton Hears a Who!, is a 2008 American CGI-animated feature film based on the Dr. Seuss book of the same name, the fourth feature film from Blue Sky Studios, and the third Dr. Seuss-based feature film, following How the Grinch Stole Christmas and The Cat in the Hat. It is the first Dr. Seuss adaptation fully animated using CGI technology.

Based on the beloved children's book by Dr. Seuss, this is the tale of an imaginative elephant named Horton who hears a faint cry for help coming from a tiny speck of dust floating through the air. Although Horton doesn't know it yet, that speck houses an entire city named Who-ville, inhabited by the microscopic Whos, led by the mayor. Despite being ridiculed and threatened by his neighbors, who think he has lost his mind, Horton is determined to save the particle...because "a person's a person, no matter how small." (20th Century Fox)

With his signature evocative and rhyming text, writer and cartoonist Dr. Seuss, an American treasure whose books have delighted generations of young people, opens one of his most beloved tales, Horton Hears a Who! Now, over fifty years since Seuss, whose real name was Theodor Seuss Geisel, published this perennial favorite, the makers of Ice Age and comedy giants Jim Carrey and Steve Carell, bring it to life in a way never before experienced.
For the first time, a motion picture transports audiences into Dr. Seuss' incredible imagination, through state-of-the-art CG animation. Dr. Seuss' Horton Hears a Who! is Seuss as you want to experience his work at the movies - and as it was meant to be seen. The film, like Seuss' book, presents an imaginative elephant named Horton (Carrey) who hears a faint cry for help coming from a tiny speck of dust floating through the air. Although Horton doesn't know it yet, that speck houses an entire city named Who-ville, inhabited by the microscopic Whos, led by the Mayor (Carell).
Despite being ridiculed and threatened by his neighbors, who think he has lost his mind, Horton is determined to save the particle...because "a person's a person, no matter how small." Horton's eight-word explanation for his actions embodies an idea both simple and profound, and which means so much, to so many.
The film provides more food for thought, having Horton explains to his skeptical friends: "If you were way out in space, and you looked down at where we live, we would look like a speck." Then there's Horton's code...his motto... that, "an elephant's faithful 100 percent" - pointing to his honesty and determination to never abandon his mission to find a new home for the speck that houses the incredible world of Who-ville.
These philosophical declarations point to Seuss' unique ability to take complex issues and boil them down into understandable thoughts that anybody, at any age, could understand. It all comes together through the vision of a master storyteller, the magic of computer animation, and the special alchemy of three generations of comedy stars - Carrey and Carell are joined by the legendary Carol Burnett, as well as cutting-edge talents Will Arnett, Isla Fisher, Amy Poehler , Seth Rogen and Jonah Hill - to create an all-audience comedy event.

The film received generally positive reviews from film critics. As of May 8, 2008, the review aggregator Rotten Tomatoes reported that 78% of critics gave the film positive reviews, based on 123 reviews, and an even better 84% rating from the top critics on the site based on 31 reviews, both classifying the film as "Certified Fresh", and making it by far the most favorably reviewed Dr. Seuss film adaptation on the site. Metacritic reported the film had an average score of 71 out of 100, indicating "generally favorable reviews", based on 31 reviews, also the most favorably reviewed Dr. Seuss film on the site. Brian Eggert of Deep Focus Review gave it one and a half stars out of four, criticizing its numerous pop-culture references, calling it a "mish-mash of incoherent babble" and claiming it ends up "reducing Seuss' otherwise admirable message to ordinary storytelling, when Seuss' work is anything but."

Reference:

• http://www.imdb.com/title/tt0451079/
• http://en.wikipedia.org/wiki/Horton_Hears_a_Who!_(film)
• http://www.rottentomatoes.com/m/horton_hears_a_who/

Quantum of Solace

Quantum of Solace (2008) is the 22nd James Bond film by EON Productions and is the direct sequel to the 2006 film Casino Royale. Directed by Marc Forster, it features Daniel Craig's second performance as James Bond. In the film, Bond battles Dominic Greene (Mathieu Amalric), a member of the Quantum organisation posing as an environmentalist who intends to stage a coup d'état in Bolivia to take control of the nation's water supply. Bond seeks revenge for the death of his lover, Vesper Lynd (Eva Green), and is assisted by Camille Montes (Olga Kurylenko), who is also seeking revenge.

Producer Michael G. Wilson developed the film's plot while Casino Royale was being shot. Neal Purvis, Robert Wade, Paul Haggis, and Joshua Zetumer contributed to the script. The title was chosen from a 1960 short story in Ian Fleming's For Your Eyes Only, though the film does not contain any elements of the original story. Location filming took place in Panama, Chile, Italy, and Austria while interior sets were built and watched at Pinewood Studios. Forster aimed to make a modern film that also featured classic cinema motifs: a vintage aeroplane was used for a dogfight sequence, and Dennis Gassner's set designs are reminiscent of Ken Adam's work on several early Bond films. Taking a course away from the usual Bond villains, Forster rejected any grotesque appearance for the character Dominic Greene to emphasise the hidden and secret nature of the film's contemporary villains.

The film premiered at the Odeon Leicester Square on 29 October 2008, gathering mixed reviews which mainly praised Craig's gritty performance and the film's action sequences while feeling that Quantum of Solace was not as impressive as the predecessor Casino Royale. It is also the second highest grossing James Bond film, without adjusting for inflation, making $586,090,727 worldwide, while becoming the higher grossing Bond film domestically.

Daniel Craig returns as 007 in this electrifying follow-up to the critically acclaimed CASINO ROYALE. The film opens with two gripping, back-to-back chases, as James Bond (Daniel Craig) tries to heed the orders of M (Judi Dench) and, at the same time, track down the people who blackmailed his love, Vesper. Bond is still struggling with Vesper's death, displaying a new, ferocious violence in his work, and a recklessness that M would very much like to get under control.

When Bond discovers a massive, secret organization called Quantum, he believes it might have been a part of the scheme that killed Vesper. He follows the clues to Haiti, where he meets Camille (Olga Kurylenko), a mysterious, driven woman, whose motives seem unclear. Camille leads Bond to Dominic Greene (Mathieu Almalric), a cold-blooded businessman who appears to be working within Quantum. Greene wants control of a valuable piece of land in Latin America, and is part of a massive plan to overthrow the government. Bond knifes, shoots, and kick-boxes his way to the center of the sinister scheme, and discovers that the plot reaches even higher than he imagined, forcing him to abandon M's orders and step out on his own.

Director Marc Forster (STRANGER THAN FICTION) has crafted some truly memorable fight scenes, setting them in the most elegant of locales. Everything is beautifully shot, from Bond racing across the rooftops of Italy, to his showdown at an Austrian opera house. As for Craig, he is once again all cold precision and steely blue eyes. His 007 is positively riveting. He struts determinedly into every scene, ready to display his near superhuman fight moves, or bed a bombshell with merely a glance. Yet, just as in CASINO ROYALE, Craig never lets us forget Bond's humanity. He may fight like a ninja and smirk like Steve McQueen, but beneath his impeccable Tom Ford wardrobe, Bond is still but an ordinary man, wearily battling his own inner demons.

The film was nominated for Best Original Score, Best Original Song, Visual Effects, Film and Sound Editing at the 2008 Satellite Awards, winning Best Song. It was nominated for Best Action Movie at the 2009 Critics' Choice Awards, and at the Empire Awards, which is voted for by the public, it was shortlisted for Best Actor, Best Actress, Best Newcomer, Best Thriller and Best Soundtrack. It was nominated for the Saturn Award for Best Action/Adventure/Thriller Film, while Kurylenko and Dench were both nominated for the Best Supporting Actress award. An editorial by The Times also listed the film's pre-titles sequence as the tenth greatest car chase in film history.

Source Links:

• http://www.imdb.com/title/tt0830515/
• http://en.wikipedia.org/wiki/Quantum_of_Solace
• http://www.rottentomatoes.com/m/quantum_of_solace/

Baran

Baran is a 2001 Iranian film directed by Majid Majidi, based on an original script by Majid Majidi. The movie is set during recent times in which there are a large number of Afghan refugees living on the outskirts of Tehran. Almost a silent movie, Baran won a number of awards both nationally and internationally for the director and writer Majid Majidi.

From Iranian director Majid Majidi (CHILDREN OF HEAVEN), BARAN is the story of Lateef, a 17-year-old boy who lives in Teheran and works in the kitchen on a construction site. Hotheaded and always ready for a fight, Lateef resents his boss Memar for holding his wages to send to his father at the end of the year. When Rahmat, a young Afghan boy, replaces Lateef, Lateef's new job is lugging heavy bags of cement up the stairs. Hungry for revenge, Lateef sets out to make Rahmat's life miserable. One day, while spying on Rahmat, Lateef realizes that the boy is actually a girl hiding her gender so she can work to support her family. Lateef falls in love and decides to help her with what little money he has. In the process, he blossoms and changes from a sullen teenager into a generous young man. BARAN is a wonderfully romantic tale about sacrifice and devotion. But underneath this simplistic fable is a political film about 1.5 million Afghani refugees suffering in Iran, and Majidi shows a remarkable talent in making BARAN seem like a romantic love story. BARAN belongs with the best Neorealist films as an example of filmmaking that stares boldly at the pertinacity of the human spirit.

"Baran," whose subject-matter is about a girl named Baran (Rain) who goes against Muslim tradition out of desperation and disguises herself as a boy named Rahmat, has more maturity and is less inclined to ignore some of the harsh political realities in modern-day Iran than Majidi's previous features did. "Baran" is a very simple tale with sparse dialogue that uses the gimmicky disguise ploy as its main plot point to help a troublesome young worker reform his wayward ways.

# Baran, the female protagonist, does not say a single word throughout the film.
# Selected as Iran's submission in the Best Foreign Film category for the 2001 Oscars.

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Source:
http://baran.cinemajidi.com/
http://www.imdb.com/title/tt0233841/
http://en.wikipedia.org/wiki/Baran_(film)
http://www.rottentomatoes.com/m/baran/