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Sunday, January 10, 2010

The Counterfeiters

The CounterfeitersThe Counterfeiters (German: Die Fälscher) is a 2007 Austrian-German film written and directed by Stefan Ruzowitzky. Based on the memoir by Adolf Burger, the film tells the inspiring story of a pre-World War II criminal whose cunning and fiery spirit enable him to overcome deadly odds and survive life in Germany's Sachsenhausen concentration camp. It fictionalizes Operation Bernhard, a secret plan by the Nazis during the Second World War to destabilize the United Kingdom by flooding its economy with forged Bank of England currency. The film centers on a Jewish counterfeiter, Salomon 'Sally' Sorowitsch, who is coerced into assisting the Nazi operation at the Sachsenhausen concentration camp. The film is based on a memoir written by Adolf Burger, a Jewish Slovak typographer who was imprisoned in 1942 for forging baptismal certificates to save Jews from deportation, and later interned at Sachsenhausen to work on Operation Bernhard. Ruzowitsky consulted closely with Burger through almost every stage of the writing and production. The film won the Best Foreign Language Film Oscar at the 80th Academy Awards in 2008.

Monday, January 4, 2010

City of God

City of God / City of Men (2 pack)City of God (Portuguese: Cidade de Deus) is a 2002 Brazilian crime drama film directed by Fernando Meirelles and Kátia Lund, released in its home country in 2002 and worldwide in 2003. It was adapted by Bráulio Mantovani from the 1997 novel of the same name written by Paulo Lins. It depicts the growth of organized crime in the Rio de Janeiro suburb of Cidade de Deus, between the end of the '60s and the beginning of the '80s, with the closure of the film depicting the war between the drug dealer Li'l Zé and criminal Knockout Ned. The tagline is "Fight and you'll never survive..... Run and you'll never escape."

The cast includes Alexandre Rodrigues, Leandro Firmino da Hora, Jonathan Haagensen, Douglas Silva, Alice Braga and Seu Jorge. Most of the actors were, in fact, residents of favelas such as Vidigal and the Cidade de Deus itself.

The film received four Academy Award nominations in 2004: Best Cinematography (César Charlone), Best Directing (Meirelles), Best Editing (Daniel Rezende) and Best Writing (Adapted Screenplay) (Mantovani). Before that, in 2003 it had been chosen to be Brazil's runner for the Academy Award for Best Foreign Language Film, but it was not nominated to be one of the five finalists.

Meirelles and Lund went on to create the City of Men TV series and film City of Men, which share some of the actors (notably leads Douglas Silva and Darlan Cunha) and their setting with City of God.

Youth gangs took over the slums of Rio de Janiero during the 1960s and didn't relinquish their stronghold until the mid-1980s. Only a sucker wouldn't have turned to crime and this is exactly how naive teen Rocket (Alexandre Rodrigues) views himself. His attempts in illegal activity fail as he finds potential victims too friendly. Equally unsuccessful in love, he regularly fails to lose his virginity. Blood spills throughout the streets of the Ciudad de Deus as gang leader Li'l Ze (Leandro Firmino da Hora) is challenged by local druglords and a gang of pre-teens known as the Runts. Rocket shoots all of this action with his weapon of choice, a camera. Director Fernando Meirelles combines visual flashiness with dark history in telling the story of three decades of unrest in underground Rio de Janiero. Technically flawless, the Brazilian film uses a rapid-cutting style to flash back and forth in time. Cinematographer Cesar Charlone shoots with an overexposed glow in a film that may seem numb to violence, but reveres photography. Director Meirelles was assisted by Katia Lund, a filmmaker who had previously shot in the Rio ghettos

The film was screened out of competition at the 2002 Cannes Film Festival. Brazil, City of God garnered the largest audience for a domestic film in 2002, with over 3.1 million tickets sold, and a gross of 18.6 million reais ($10.3 million). The film also grossed over 7 million dollars in the U.S. and over 27 million worldwide. City of God is listed at #16 in the Internet Movie Database's Top 250 Films as voted by the site's users.

City of God received impressive positive acclaim from major publications in the United States, gathering 93% of favourable reviews on Rotten Tomatoes. Empire chose it as the 177th best film of all time in 2008, and Time chose it as one of the 100 greatest movies of all time. In the UK it was ranked 3rd in Film4's "50 Films to See Before You Die".

Reference:
http://www.imdb.com/title/tt0317248/
http://www.rottentomatoes.com/m/city_of_god/
http://en.wikipedia.org/wiki/City_of_God_(film)


Boy A

Boy ABoy A is a 2007 BAFTA award-winning film adaptation of Jonathan Trigell's critically acclaimed novel of the same name which shares some similarities with the notorious James Patrick Bulger case. The film premièred at the 2007 Toronto Film Festival. It is directed by John Crowley and stars Andrew Garfield (who won the 2008 Best Actor BAFTA TV Award for his performance), Peter Mullan and Katie Lyons. The USA cinematic release is distributed by the Weinstein Company. It is a story of a young ex-con Jack, newly released from serving a prison sentence for a murder he committed as a child.

Bright futures are undercut by dark pasts in Boy A, a quiet, ruminative tale about a violent act committed by a man in his tormented youth, and his haunting inability to find a way to have a peaceful adulthood years later. Fresh out of a 14-year prison sentence, 24-year-old Jack (Andrew Garfield) arrives in Manchester looking for a new start. He has a new name, a new job, and a carefully sealed criminal record, but an entire boyhood spent behind bars has left him permanently looking over his shoulder. Guided by his fatherly caseworker, Terry (Peter Mullan), Jack attempts to forge meaningful ties with a local girl and a chatty co-worker, but what happiness he finds is challenged when his true identity seeps (and then floods) through the cracks of his new façade. Directed with claustrophobic flair by John Crowley, Boy A unfolds in tight hallways and on narrow roads; for Jack, even in freedom, every room's a prison. As the story of Jack's new life moves forward, sharply lit flashbacks continually offer new details of his childhood crime. The backward glances work as both a compelling narrative technique and a glimpse into Jack's conscience (and the viewer's); the harsh reminder of his former self seem to play endlessly in his mind, impossible to reconcile with the gentle, introspective adult he longs to become.

Efficiently directed by John Crowley, Boy A avoids exploitation while never soft-selling its thorny subject matter. The movie is taut with suspense but culminates in wise resignation as the hero comes to understand he's running from a part of himself. Boy A is one of those rare movies that takes the idea of rehabilitation seriously. In the end, it may present a worst-case scenario, but it does so with unusual depth and conviction. Boy A currently holds a 91% approval rating based on 53 professional critical reviews on aggregator Rotten Tomatoes.

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Sunday, January 3, 2010

Inglourious Basterds

Inglourious Basterds (Single-Disc Edition)Inglourious Basterds is a 2009 war film written and directed by Quentin Tarantino and released in August 2009 by The Weinstein Company and Universal Pictures. It was filmed in several locations, among them Germany and France, beginning in October 2008. The film, set in German-occupied France, tells the story of two plots to assassinate the Nazi political leadership, one planned by a young French Jewish cinema proprietress, the other by a team of American soldiers called the "Basterds".

Tarantino has said that despite it being a war film, Inglourious Basterds is a "spaghetti western but with World War II iconography". In addition to spaghetti westerns, the film also pays homage to the World War II "macaroni combat" sub-genre (itself heavily influenced by spaghetti-westerns).

Inglourious Basterds was accepted into the main selection at the 62nd Cannes Film Festival in competition for the prestigious Palme d'Or and had its world premiere there in May. It was the only U.S. film to win an award at Cannes that year, earning a Best Actor award for Christoph Waltz. It also has been nominated in four categories in the 67th Golden Globe Awards, including Best Picture – Drama and Best Director for Tarantino.

Inglourious Basterds begins in German-occupied France, where Shosanna Dreyfus (Mélanie Laurent) witnesses the execution of her family at the hand of Nazi Colonel Hans Landa (Christoph Waltz). Shosanna narrowly escapes and flees to Paris, where she forges a new identity as the owner and operator of a cinema.

Elsewhere in Europe, Lieutenant Aldo Raine (Brad Pitt) organizes a group of Jewish soldiers to engage in targeted acts of retribution. Known to their enemy as "The Basterds," Raine's squad joins German actress and undercover agent Bridget Von Hammersmark (Diane Kruger) on a mission to take down the leaders of The Third Reich. Fates converge under a cinema marquee, where Shosanna is poised to carry out a revenge plan of her own.

The title of the film was inspired by director Enzo Castellari's 1978 Dirty Dozen-like war film The Inglorious Bastards. Though Tarantino acknowledges that both the former and the latter were inspirations for the film, and there are noticeable similarities, he stresses that Basterds is an original work and not a remake of the 1978 film. To date, there has been little explanation of the title spelling. When asked, Tarantino would not explain the first u in Inglourious and said, "But the 'Basterds'? That's just the way you say it: Basterds." He stated in an interview that the misspelled title is "a Basquiat-esque touch." He further commented on the Late Show with David Letterman that "Inglourious Basterds" is the "Tarantino way of spelling it."

The movie received an eight to eleven minute standing ovation by the critics after its first screening at Cannes. In particular, Christoph Waltz was singled out for Cannes honors, receiving the Best Leading Actor award at the end of the festival. Movie critic Devin Faraci of Chud.com stated: "The cry has been raised long before this review, but let me continue it: Christoph Waltz needs not an Oscar nomination but rather an actual Oscar in his hands.... he must have gold". The film received four Golden Globe nominations including Best Motion Picture (Drama), Best Performance By An Actor In A Supporting Role In A Motion Picture for Christoph Waltz, Best Director (Motion Picture) for Quentin Tarantino, and Best Screenplay (Motion Picture) for Quentin Tarantino. The film also received three Screen Actors Guild Award nominations including Outstanding Performance by a Cast in a Motion Picture, Outstanding Male Actor in a Supporting Role for Christoph Waltz, and Outstanding Female Actor in a Supporting Role for Diane Kruger.

Reference:
http://www.imdb.com/title/tt0361748/
http://en.wikipedia.org/wiki/Inglourious_Basterds
http://www.rottentomatoes.com/m/inglourious_basterds/



Friday, January 1, 2010

Appaloosa

AppaloosaAppaloosa is a 2008 American Western film based on the 2005 novel of the same name by crime writer Robert B. Parker. The film was directed by Ed Harris and co-written by Harris and Robert Knott. Appaloosa stars Harris alongside Viggo Mortensen. The film premiered in the 2008 Toronto International Film Festival, was released in select cities on September 19, 2008 and expanded into wide-release on October 3, 2008. A traditional genre western, Appaloosa sets itself apart with smart psychology, an intriguing love triangle, and good chemistry between the leads.

The movie shares some narrative similarities with the 1959 Western Warlock, directed by Edward Dmytryk and starring Henry Fonda, Anthony Quinn and Richard Widmark. There is also a 1966 Western named The Appaloosa which stars Marlon Brando, but the two films are unrelated.

Actor Ed Harris takes only his second stab at directing, following the Oscar-winning feature Pollock with this spirited western. Harris draws on a strong cast, many of whom have acted with him in previous films, to tell the story of two gunfighters attempting to bring peace to the small town of Appaloosa in the late 1800s. Virgil Cole (Harris) and Everett Hitch (Viggo Mortensen) ride into the windswept New Mexico town and are hired to bring vigilante entrepreneur Randall Bragg (Jeremy Irons) to justice. Bragg has imposed a reign of terror over Appaloosa, but his murderous actions are tempered when Cole and Hitch take control. Matters get complicated when widower Allison French (Renee Zellweger) flounces into town and variously woos Cole, Hitch, and Bragg, allowing Harris to throw in a few neat twists as his two principal characters attempt to bring the miscreant entrepreneur to justice.

Appaloosa is a slow-moving and beautifully shot feature that perfectly translates the dusky New Mexico landscape to celluloid. This film draws heavily on deeply affecting performances from his leads. Irons is particularly affecting as the baleful Bragg, who brings a real air of menace to the screen any time he appears on camera. The nuanced turns by Harris and Mortensen play like a master class in subtlety, with the two seasoned actors perfectly delivering two stoic characters who are masking a lifetime of pain and suffering.

Early reviews of Appaloosa from the 2008 Toronto International Film Festival were lukewarm. Brad Frenette of the National Post said "the film feels double its 114-minute running time, but Appaloosa redeems itself through unexpected moments of levity, Harris's steady direction and the god amongst men, Lance Henriksen." Frenette also said Renee Zellweger is "mostly a bust" and Viggo Mortensen "oozes cool." Popjournalism reviewer Sarah Gopaul said Harris and Mortensen spend too much time talking and discussing their feelings, which she said made the film too light for the gritty Western genre. Gopaul said Ed Harris and Viggo Mortensen delivered decent performances and that Renee Zellweger's character has more depth than the traditional romantic interest in a Western. The New Yorker’s David Denby called it “a well-made, satisfying, traditionalist Western with some odd quirks and turns.”
On Rotten Tomatoes, Appaloosa is currently rated at 76% on the Tomatometer, based on 149 reviews.
The film appeared on some critics' top ten lists of the best films of 2008. Ray Bennett of The Hollywood Reporter named it the 8th best film of 2008, and Mike Russell of The Oregonian named it the 10th best film of 2008.

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Invictus

Invictus: Original Motion Picture SoundtrackInvictus is a 2009 biographical drama film based on Nelson Mandela's life during the 1995 Rugby World Cup in South Africa. Directed by Clint Eastwood, the film stars Morgan Freeman as South African President Mandela, and Matt Damon as Francois Pienaar, the South African team captain. The story is based on the John Carlin book Playing the Enemy: Nelson Mandela and the Game That Changed a Nation.

Delivered with typically stately precision from director Clint Eastwood, Invictus may not be rousing enough for some viewers, but Matt Damon and Morgan Freeman inhabit their real-life characters with admirable conviction.

The film tells the inspiring true story of how Nelson Mandela joined forces with the captain of South Africa’s rugby team, Francois Pienaar, to help unite their country.  Newly elected President Mandela knows his nation remains racially and economically divided in the wake of apartheid.
His immediate challenge is "balancing black aspirations with white fears." The country's still-present racial tensions are shown, in part, through Mandela's security team, which comprises both new black and old white officials, with the groups immediately hostile to one another despite sharing the same job and goal. Believing he can bring his people together through the universal language of sport, Mandela rallies South Africa’s underdog rugby team as they make an unlikely run to the 1995 World Cup Championship match.


The film had won the following awards from the National Board of Review in the following categories:
* Freedom of Expression Award
* NBR Award for Best Director - Clint Eastwood
* NBR Award for Best Actor - Morgan Freeman

The film had been nominated for two awards from the Washington DC Area Film Critics Association awards in the following categories:
* Best Actor - Morgan Freeman
* Best Director - Clint Eastwood

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Role Models

Role ModelsRole Models is a 2008 American comedy film directed by David Wain about two energy drink salesmen who are ordered to perform 150 hours of community service as punishment for various offenses. For their service, the two men work at a program designed to pair kids with adult role models. The film stars Seann William Scott, Paul Rudd, Christopher Mintz-Plasse, Bobb'e J. Thompson, Jane Lynch and Elizabeth Banks. Role Models is a frequently crude, always funny comedy with the cast providing solid work throughout. Wild behavior forces a pair of energy drink reps to enroll in a Big Brother program.

Director David Wain capably mixes the saucy and the sentimental in the bawdy boys-to-men comedy Role Models. Stuck-in-a-rut Danny Donahue (Paul Rudd) and womanizing man-child Wheeler (Seann William Scott) work together promoting Minotaur energy drink to high school students. But when Danny's girlfriend Beth (Elizabeth Banks) dumps him because he lacks maturity, his lashing out threatens to land him and Wheeler in jail. Their only way out is to act as mentors at Sturdy Wings, a Big Brother-esque organization run by reformed addict--and unrepentant flirt--Gayle Sweeny (Jane Lynch). There, Danny is paired with the decidedly dorky Augie (Christopher Mintz-Plasse) while Wheeler is the latest victim to take on foul-mouthed Ronnie (Bobb'e J. Thompson).

After a bumpy beginning, both Danny and Wheeler connect with their kids over everything from sword-and-sorcery role playing to the chick-scoring power of the band Kiss. But when these two presumptive adults put their charges' well-being in jeopardy, they face both jail time and the loss of everyone's respect. With their own friendship on the brink of ruin, Danny and Wheeler--not to mention a little help from the magic of Kiss--must reach deep inside to prove to the world how responsible they can truly be. Role Models features a healthy dose of sharp humor and juvenile gags balanced by a feel-good message that growing up doesn't mean giving up what makes each of us special.

Reviews for the film have been positive with the comedy receiving a "certified fresh" rating of 76% positive based on 115 reviews at review aggregator Rotten Tomatoes. In their year end review, IGN awarded Role Models with "Best Comedy Film of 2008". Eye Weekly selected Role Models as one of the best films of 2008.

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